Chanel prepares for vagging; Abraham Mateo puts the swimsuit

After the good single 'a bullet', which stood out for its melody and merger of Bachata and Favela Funk, and the previous one, the rhythmic and gross 'Antilles', Chanel launches a third single within his independent stage. At the same time, his hiter in 'Clavaíto', Abraham Mateo, goes to the beach.

'Zakaza' is a written theme for the 2025 pride occasion and makes you know in different ways. 'Zakaza' is a vagging issue that honors Ballroom culture, popularized through the Drag and its commercial expressions. As such, it does not need more than a base of House-Tecno designed by D3llano and the repetition of an onomatopoeia, "Zaka-Zakaza Rah Rah", which mimics those expressed by the MCs in the Ballrooms to mark the movements of the dancers and increase the energy of the show; To evoke one of those competitions.

'Zakaza' is a respectful recreation of the Ballroom culture, although they know too much to improvisation composition and lyrics, which simply seem the rapid development of what supposedly a classic voging issue is. His grandiloquent spirit is funny ("We didn't earn little ball / we like the Super Bowl"), not so much some forced rhymes ("Let me say my name / if I say Chanel you say Slay"), and the song seems more an insubstantial imitation than a hymn.
https://www.youtube.com/watch?v=to_fxkj3re4

Abraham Mateo's proposal - which has absolutely nothing to do with voguring - is summer and shirt. Interestingly, it is also based on a kind of onomatopoeia: 'Bai-Lala'. The best thing is that it adapts the rhythms of the South African poppial - popularized by Tyla - to a letter in Spanish and fuses them vocally with its characteristic stopped away. Even more curious is that the last seconds of 'Bai-Lala' seem the beginning of 'Antillas'. Or it will be the suggestion. Of course, 'Zakaza' and 'Bai-Lala' unites their intention to leave your compositional hooks well "nail" in the brain.
https://www.youtube.com/watch?v=yf-ynpjliw